井上雄彦在正式出道前,曾经给北条司做过很长一段时间的助手,这段助手生涯给井上带来了非常宝贵的财富,井上完美的继承了北条的写实画风,积累了深厚的绘画基本功,尤其是画人物方面的经验更是让井上受益终身。
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对于一部漫画来说,当然首先要画出人物,而这时井上要面对的第一个问题就是对人物解剖结构的处理,日本漫画大师如鸟山明,木城雪户,北条司,三浦健太郎,八木教广,浦泽直树都是人物结构方面的宗师,但我最喜欢的还是井上雄彦笔下设计出的人物造型
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